Thursday, April 19, 2007

New Orleans Voodoo Lucky Magic


Here's another, somewhat disturbing, NOLA artifact. The sash reads, "New Orleans, Voodoo, Lucky, Magic." That phrase has to be part of our text/installation somehow.

It's great reading the recent contributions. Our research and interests are starting to overlap - it's getting exciting. Thanks for the good work! You've given me so many ideas to include in the mosaic.

Tuesday, April 17, 2007

NOLA Images by Robert Polidori

Like many in our group, images help me to connect to a place. Here are photographs taken by Robert Polidori. His images are collected in a book entitled After the Flood. He went to NO in 2005 and 2006. I selected five of his images--all indoor shots. To me they function as records of the lives of those who lived in those rooms and records of the destruction caused by the storm and the water. [With no disrespect intended]: the way Polidori took these photos, the rooms look like stages. Or giant Cornell boxes. But, of course, they are not staged.

The images work in two directions for me and our project: they help me connect to the recent situation in New Orleans and connect to New Orleans's history as represented in the series of postcards that Louise posted. Both collections of images present New Orleans to the outside world. They stage New Orleans in different ways and bring up the question of what constitutes the collective identity of the city.

These images also strike me as being amazingly silent--in stark contrast to the huge amount of damage evident in each photo. These images embody the oxymoron, still-lifes.

Shelley

NOLA Theatres

The good news is that there are very interesting theatres, both alive and dead, within walking distance of the conference hotel. So on the Thursday or Friday when we have some time, we can visit at least a few spaces to see what's happening (in some cases not much) there.

This post has two sections. First, the dead theatres, which I am investigating in terms of their plans for regeneration. Second, the 'alive' theatres, which I am investigating both for the history of the damage by K and their plans for the future. I have planned a third section, which is smaller and grassroots companies. Thanks for your suggestions, as I have added "What is the most important thing for ATHE to know about your work?" to the interview.

THE DEAD ONES

There seem to be three major, central theatres, which before the Hurricane were the major institutions of performance. They were all majorly damaged and are still shut down. They are:

The city-owned Mahalia Jackson Theatre for the Performing Arts
(slowly being restored)

I can't get through to them on the phone. I'll keep trying. For the meantime, here's some history of the destruction and rebuilding of the theatre:

Need to find out: what's happened since this article was published?

http://www.bestofneworleans.com/dispatch/2006-07-04/cover_story.php

Both the Municipal Auditorium and the Mahalia Jackson Theatre for the Performing Arts are shuttered -- and the city has terminated its contract with the national company that managed both facilities.

Photo by Cheryl Gerber
The Mahalia Jackson Theatre for the Performing Arts has been empty since Hurricane Katrina flooded it, and six months after being pumped out, the city still has not started repairs.

Both buildings were severely damaged by the effects of Hurricane Katrina. Beyond pumping out flooded basements and removing soaked carpet and water-damaged debris -- all paid for with FEMA funds and completed by early December -- nothing much has happened in either building, and neither is currently being restored.

Matters of damage assessments, applications for additional FEMA funds and the beginning of the city's bidding process have dragged on for months. Without electricity (and the dehumidifying effects of air conditioning), both city properties will continue to deteriorate through the hot summer.







Here's a link from
Times-Picayune Updates


Sunday, September 17, 2006

http://66.102.9.104/search?q=cache:QcVtVHWxIqUJ:www.nola.com/weblogs/print.ssf%3F/mtlogs/nola_tpupdates/archives/print184633.html+mahalia+jackson+theatre&hl=en&ct=clnk&cd=9&gl=uk&client=firefox-a

More Theatres:
The privately run Saenger Theatre and Orpheum

remain closed due to severe flooding of basement electrical systems.
As a result of significant damages sustained by Hurricane Katrina, the Saenger Theatre has been forced to postpone the entire 2005-2006 season. Patrons may obtain refunds at the point of purchase. Built in 1927 and listed on the National Register of Historic Places, the Saenger Theatre has suspended operations until such time as a re-opening plan can be developed.

I've called the Saenger but the online number has been disconnected.
The Orpheum's website is offline, and the only number listed for them is Ticketmaster.

So my first attempts to call these 3 venues: failed!

The Live Ones: Major theatres who have revitalized after K.
This is going to be where the contacts and regenerations are made:
Southern Rep has revitalized its mission, staging a mix of works by local playwrights and fresh-off-off-Broadway pieces.

Le Petit Theatre du Vieux on Jackson Square has been rebuilt, with a renovated theatre, a new orchestra pit, and a season of musicals.

Le Chat Noir is a cabaret venue which also stages small-scale theatre. They have a new modern performance space.

On the other side of the French Quarter, the Marigny Theatre has rebuilt
and the Westwago Theatre has been completely rebuilt (part of the Jefferson Performing Arts Society).

Anthony Bean Community Theatre and Acting School looks like a good contact for regeneration in Education, as does the Actor's Theatre of New Orleans.

So these companies are my next contacts! You win some, you lose some, I suppose. A day of learning about the theatre scene, both alive and dead, for sure.

Sunday, April 8, 2007

Great Articles to Read

I've been trying to read as much about New Orleans as I can. Specifically, I've been trying to find unique opinions about New Orleans written by New Orlenians. Check out this essay "Wading Towards Home" written by Michael Lewis.

Also, I've been doing more research following Bryan's mention of the Free People of Color. One of the very interesting things about NO (which allowed the Free People of Color community to exist in at the same time as slavery was legal) is that freed blacks were granted specific rights under the Code Noir or Black Code. Even slaves were granted very limited rights and a matrilineal code existed to determine the status of the children born to slave. I found two similar versions of the Code Noir on the web:

http://chnm.gmu.edu/revolution/d/335/

http://www.toptags.com/aama/docs/lublkcodes.htm


Also, the Library of Congress partnered with the French National Library to present "France in America," which has information on the Code Noir and other great resources relating to New Orleans.

More to come, of course.

Friday, April 6, 2007

China for Lisa

There are quite a few collectible plates and other NOLA glassware on ebay. I'm willing to purchase a few. Lisa, does anything look particularly interesting to you?

http://collectibles.search.ebay.com/new-orleans_Decorative-Collectibles_W0QQfromZR34QQsacatZ13777